Lista de obras
Se autoriza el uso de los materiales aquí presentados solamente con fines artísticos y/o de investigación (sin fines de lucro)
- "GREINDAR’S PARADOX” / "LE PARADOXE DE GREINDAR” (2023)
Sound art for 24 audio channels
- “DESERT – FLOOD” / "DESIERTO >< INUNDACIÓN” (2023)
Acousmatic soundscape - (short) stereo version.
- "DESIERTO >< INUNDACIÓN” (2023)
Acousmatic soundscape for 6 stereo audio channels (part of the collective audiovisual work: Desierto/Inundación - Paisagens Extremas; versions for projection-mapping and VR / Metaverse, using sounds recorded by K. Brunet, M. Buj, I. David, M. Montanari, L. Salles, and B. Santos). Video
- "IMPROV3” (2022)
Electroacoustic music. Created using an interactive audiovisual environment. Stereo.
- IMPROV2” " (2022)
Electroacoustic music. Created using an interactive audiovisual environment. Stereo.
- "IMPROV1” (2022)
Electroacoustic music. Created using an interactive audiovisual environment. Stereo.
- "EMOTION" (2021)
Stereo. Sound contribution for the piece L’immortelle mort du monde by Robert Filliou
(2021-2022 version by Éric Letourneau).
- "LIQUID CRYSTAL" (2021)
Acousmatic. Stereo version for a collaborative website project.
- "LISTENING" (2014-2021)
Binaural version.
- "HOMOTECIA" (1992-2020)
For pitched or non-pitched acoustic percussion and pre-recorded sounds (version XI).
- "HOMOTECIA" (1995-2020)
For guitar and tape (version IVb). Video
- "ASHRAM" (2020)
For sax and electronics (version V). Video
- “SENSE” / “SENTIDO” [II] (2019)
Acousmatic piece. Spatialised version for 32 speaker 3D audio dome.
- “UMA VIAGEM POR TUA MENTE” (2019)
For 8 audio channels. Electroacoustic music, for a media art installation. Audio
- “SENSE” / “SENTIDO” (2018)
For 5.1 audio channels. Acousmatic piece. Audio (stereo version)
- “ORGANIC” [V] (2018)
Visual-music. Algorithmically generated animation and multi-channel electroacoustic music.
- “ORGANIC” [IV] (2015)
Electroacoustic music.
- “ORGANIC” [III] (2015)
Visual-music. Algorithmically generated animation and multi-channel electroacoustic music.
- “ORGANIC” [II] (2015)
Visual-music. Algorithmically generated animation and multi-channel electroacoustic music.
- "ASHRAM" (2015)
For clarinet and electronics (version IV).
- “ORGANIC” [I] (2015)
Visual-music. Algorithmically generated animation and multi-channel electroacoustic music.
- "BUTTERFLY TWIST" (2014)
Collective composition on fixed media, to be performed live using the ‘Poliedro’ online system.
Duration (full collective composition: “D’Efecto Mariposa”): 7'00"
[Poliedro collective composition methodology concept: Fabian Luna. Co-composers: José Miguel Candela, Caio Kenji, Fabian Luna, Eufrasio Prates, Daniel Quaranta, Rodrigo Sigal].
- "LISTENING" (2014)
Six-channels acousmatic piece. Audio
- "FLESH WAVES" (2013)
Real-time sound processing and spatial performance for five dancers & musicians.
- "ASHRAM" (2012-2013)
For percussion and CD (version III). Duration: 9'30"
- "HOMOTECIA" (2010)
For soprano, clarinet, viola, piano and CD (version X)
- "MEMORIAS DEL DOLOR… Y DEL HORROR" (2009)
For fixed digital media
- "ENTRE MI CIELO Y TU AGUA [BETWEEN MY SKY AND YOUR WATER]" (2007)
For fixed digital media Audio
- "DE MI MEMORIA…" (2006)
For 7.1 audio channels [installation]
- "HOMOTECIA" (2004)
For violin and CD (version IX)
- "LIQUID MOUNTAINS" (2004)
For e-drink.
- "ASHRAM" (2004)
For tarogato and CD (version II).
- "HOMOTECIA" (2003)
For marimba and CD (version VIII)
- "CIVILIZATIONS / CIVILIZACIONES" (2003)
For 6 percussionists and live electronics (version II). Audio
- "CON.MOCIÓN" (2002)
Audiovisual installation.
- "HOMOTECIA" (2002)
For ensemble and CD (version VII)
- "HOMOTECIA" (2001)
For flute, string quartet, percussion and CD (version VI).
- "ON THE LIQUID EDGE" (1998)
New media (immersive environment / installation).
Created in collaboration with visual artist Nancy Busch (United States).
- "WORDS THROUGH THE WORLDS" (1997)
For CD.
Based on a soundfile with text written and read by Chris Mann (Australia). Audio
- "TIERRA Y SOL" (1996)
For CD. Audio
- "BREVE VIDA" (1995)
For tape.
- "HOMOTECIA" (1995)
For piano and tape (version V).
- "HOMOTECIA" (1995)
For guitar and tape (version IV).
- "MEL18", seven short pieces for virtual piano (1994)
Live/interactive computer music. Audio
- "CUARTETO" (1994)
Live/interactive computer music.
- "HOMOTECIA" (1994)
For flute and tape (version III). Audio
- "HOMOTECIA" (1994)
For oboe and tape (version II).
- "MEMORIAS" (1992)
Computer generated sounds. Tape. Audio
- "HOMOTECIA" (1992)
For bandoneon and tape.
- "TERAGON" (1992)
For computer and electronic musical instruments controlled in real time.
- "DISOLUCION IV" (1991)
For guitar and live electroacoustic processing.
Composed with Arturo Gervasoni.
- "ASHRAM" (1991)
For Mukha Veena and tape. Audio
- "FURIOSO" (1991)
For oboe and live electroacoustic processing.
Composed with León Biriotti. Audio
- "TRAMAS" (1990)
For small orchestra and live electroacoustic processing.
- "SP4" (1989)
For electronic musical instruments controlled by computer in real time. Audio
- "JAPI-ND" (1989)
For tenor sax, acoustic guitar, and live electroacoustic processing.
- "XASTOCK" (1989)
For tenor sax and live electroacoustic processing. Audio
- "EGT" (1989)
For acoustic guitar, and live electroacoustic processing. Audio
- "COME'N GO" (1989)
For komungo and live electroacoustic processing. Audio
- "...DUE GIORNI DOPO" (1988)
For 4 computer resynthesized voices. Tape. Audio
- "UHURU" (1988)
For MIDI guitar, digital synthesizer and live electroacoustic processing.
Composed with Arturo Gervasoni. Audio
- "HAY ALGUIEN AHI FUERA CON QUIEN HABLAR ?" (1987)
For guitar and live electroacoustic processing.
- "PARA TODOS ELLOS" (1987)
For MIDI guitar, digital synthesizer and live electroacoustic processing, plus slides with paintings (by Víctor Magariños) Audio
- "G" (1987)
For MIDI guitar, digital synthesizer and live electroacoustic processing.
Composed with Arturo Gervasoni. Audio
- "PROCESOS" (1986)
For analog and digital electronic musical instruments. Audio
- "ANCESTROS" (1986)
For ancient woodwinds from the Andes and live electroacoustic processing. Audio
- "DOUBLE" (1986)
For guitar and live electroacoustic processing.
Composed with Arturo Gervasoni. Audio
- "TOCCATA" (1986)
For guitar and live electroacoustic processing.
Composed with Arturo Gervasoni.
- "KARMA" (1986)
Computer generated sounds. Tape.
Produced at Center for Computer Research in Music and Acoustics, Stanford University, US. Audio
- "INTEGRADOS" (1986)
For guitar and live electroacoustic processing.
Composed with Arturo Gervasoni. Audio
- "ACUSMATICO" (1986)
For digital synthesizer and live electroacoustic processing.
- "PH" (1986)
For guitar and live electroacoustic processing.
Composed with Arturo Gervasoni. Audio
- "CLONES" (1986)
For guitar and live electroacoustic processing.
Composed with Arturo Gervasoni. Audio
- "MUSICA PARA HALL II" (1985)
For guitar and live electroacoustic processing.
Composed with Arturo Gervasoni.
- "PRIMER INSTANTE" (1985)
For analog and digital electronic musical instruments.
- "MUSICA PARA HALL" (1984)
For guitar and live electroacoustic processing.
Composed with Carlos Costa. Audio
- "AUDICIONES" (1983)
For analog electronic instruments. Audio
- "CIVILIZATIONS / CIVILIZACIONES" (1983)
For 6 percussionists.
- "ESTUDIO ELIPTICO" (1983)
For analog and digital electronic musical instruments (live electronics). Audio
- "ESTUDIO SOBRE UN ATAQUE DE TIMBAL" (1982)
For one timpani stroke and digital processing in real time. Audio
- "ESTUDIO SOBRE RITMO Y ESPACIO" (1982)
For concrète sounds digitally processed in real time. Audio
- "ESTUDIO SOBRE FRAGMENTACION DEL MATERIAL" (1982)
For concrète sounds digitally processed in real time.
- "EL FIN" (1978)
For piano, percussion and electronic instruments.
Composed with O. Edelstein.
- "A 3 PRISMAS" (1978)
For guitar.
Installations, visual and audiovisual works
- "DESERTO >< INUNDAÇÃO” (2023)
Five AI-generated images (for the collective work: Desierto/Inundación - Paisagens Extremas).
Exhibition: XenoPaisagens - EmMeio#15 - #22.ART.
- "ESPECTROS COMPUTACIONAIS_fulldome" (2021)
Fulldome work (for immersive dome-based video projection environment or online virtual fulldome simulation, and electroacoustic music).
Produced with Luiza H. Guimarães and Randolpho de Santana Julião,
- "ESPECTROS COMPUTACIONAIS 360º / 3D" (2021)
For a 270 degrees panorama and electroacoustic music.
Produced with Luiza H. Guimarães and Randolpho de Santana Julião,
- "DECODING REALITY" (version III - 2021)
Visual-Music. Algorithmically generated animation, three stills, and sound art.
- "MAGNITUDES VECTORIALES” / “VECTOR MAGNITUDES" (2021)
Alternate reality. Twenty-one algorithmically generated images.
- "ESPECTROS COMPUTACIONAIS" (2018)
Music miniatures for VR (virtual reality) environments.
Research-creation project with Luiza Guimarães, João Silveira and Randolpho Julião.
- "AGUA DE CIELO" (2017)
Audiovisual work produced by Mexican artist Manolo Cocho Esqueda.
- "OJO DE SOL" (2017)
Audiovisual work produced by Mexican artist Manolo Cocho Esqueda.
- "DECODING REALITY" (version II - 2016)
Alternate reality. Installation. Algorithmically generated animation -large format- projected on a large LED screen (15,36 x 2,30 meters); and spatialised sound-art.
- "VANG SHORE" (2016)
Animation. Algorithmically generated animation.
- "UMWELT" (2016)
Animation. Algorithmically generated animation.
- "ENTRE MI CIELO Y TU AGUA" (version IV - 2015)
Alternate reality. Installation. Algorithmically generated animation (large format) and sound art.
- "CICLAGEM" (2015)
Twenty-four algorithmically generated images (series).
- "DECODING REALITY (still)" (2015)
Alternate reality. Visual Music. Algorithmically generated images and sound art.
- "JOURNEY" (2015)
Alternate reality. Three algorithmically generated images (large format).
- "ENTRE MI CIELO Y TU AGUA" (version III - 2015)
Alternate reality. Installation. Algorithmically generated animation (large format) and sound art.
- "DECODING REALITY (revisited)" (2015)
Alternate reality. Installation. Algorithmically generated animation (large format) presented on three contiguous TVs; sound art.
- "DECODING REALITY" (2014)
Alternate reality. Installation. Algorithmically generated animation (large format) projected on three screens covered with pages from Charles Darwin’s book On the Origin of Species; and sound art.
- "ENTRE MI CIELO Y TU AGUA" (version II - 2014)
Nine algorithmically generated images and sound art.
- "QUBIT" (2014)
Alternate reality. Algorithmically generated image.
- "DESPUES DEL TIEMPO" (2014)
Alternate reality. Three algorithmically generated images (large format).
- "DEPUIS LA CRÉATION DE SON MONDE [f]" (2007)
Photographic series - digitally processed image.
- "DEPUIS LA CRÉATION DE SON MONDE [c]" (2007)
Photographic series - digitally processed image.
- "LA LIMITE DE L’ESPOIR [d]" (2007)
Photographic series - digitally processed image.
- "LA LIMITE DE L’ESPOIR [b]" (2007)
Photographic series - digitally processed image.
- "PASSAGE [e]" (2007)
Photographic series - digitally processed image.
- "PASSAGE [c]" (2007)
Photographic series - digitally processed image.
- "CORRÉLATION" (2007)
Algorithmically generated image.
- "SPIN" (2007)
Algorithmically generated image.
- "ENTRE PASSÉ ET FUTUR" (2007)
Algorithmically generated image.
- "Q’OSQO" (2004)
Photography.
- "THE ELECTROACOUSTIC MUSIC BRIDGE" (2002)
Audiovisual installation.
- "BIXAR" (2002)
Algorithmically generated image.
- "INTERACCIONES" (1990)
New media performance. Sounds and images generated by computer in real time.
